SCC members voted to include new works in photography, ceramics (17th c. and 18th c. Japanese and modern) and sculpture to the College’s collection of artworks.
In 1936, Barbara Morgan, joined creative forces with the modern dance choreographer Martha Graham to create a series of photographs that would redefine their respective disciplines. Born in Buffalo, Kansas on July 8, 1900, Morgan went on to study fine arts at the University of California Los Angeles (UCLA). The university’s curriculum, focusing on early […]
SCC members voted to include photography, prints, a Japanese theater costume, ceramics and artists’ books to the College’s collection of artworks.
Ilse Bing’s photograph, Paris, Eiffel Tower with Branches, was taken in 1933 during the midst of her own self-discovery. Bing was born into an upper middle class Jewish family in Germany in 1899. Her family encouraged her academic education as well as her development in the arts and music. She enrolled in University of Frankfurt […]
Winter Sunrise, Sierra Nevada, from Lone Pine is a testament to Adams’ technique. Adams’ careful attention to natural light while shooting, as well as his work in the dark room, showcases a full spectrum of values and highlights.
Lena Herzog’s Long Draw series is a project aimed at restoring the reputation of Friedrich von Egloffstein (1824-1885), a cartographer and artist on the first expedition of the Grand Canyon. Led by Joseph Ives in 1857, the team took a steamboat up the Colorado River to document and map what is now known as the […]
Between 1978 and his death in 1984, Ansel Adams created a special inventory of photographic prints of the pieces he considered to be his finest and most iconic. One of these sets has found a home at Scripps.
Todd Walker’s career in photography began as a teen at RKO studios in the early 1930s, polishing the floors that Fred Astaire danced on. He went on to become a celebrated photographer who pushed the medium beyond defined boundaries.
This juxtaposition of man-made objects to the natural world displaces the viewer’s focus away from the natural elements to the manmade, ultimately creating a sense of balance. Kenna continues to baffle the viewer through his interesting use of perspective.