An enormous enrichment to the Ruth Chandler Williamson Gallery is the C. Jane Hurley Wilson ’64 and Michael G. Wilson Photograph and Print Study Room. The Wilsons’ generous support made possible the creation of this space with a climate control system and storage for the Scripps College collection of works on paper, with a special focus on Japanese prints and books as well as European and American 19th and 20th century photographs and contemporary prints. This room provides students, scholars, and the public with the opportunity to see works of art firsthand in a comfortable setting, a place where classes in the history and practice of photography and printmaking meet regularly.
Among these works are over 1,700 Japanese woodblock prints and more than 100 illustrated books, dating from the 17th to the 20th century. The collection includes works by Chikanobu, Hiroshige, Hokusai, Kogyo and Yoshitoshi. In 2007, an exhibition organized by Professor Bruce Coats entitled, Chikanobu: Modernity and Nostalgia in Japanese Prints, was first displayed at the Gallery, and went on to tour U.S. and Japanese museums. It was accompanied by a sumptuously illustrated catalog of the same title, produced by Hotei Publishing.
Yet another exquisite exhibition of Japanese woodblock prints was presented at the Gallery in the fall of 2012: Genji’s World in Japanese Woodblock Prints, also organized by Scripps Professor Bruce Coats. Written over 1,000 years ago, The Tale of Genji has proven to be a great influence on Japanese culture. Featured in this exhibition was a rich array of woodblock prints by many of Japan’s leading artists on The Tale of Genji, selected from the incomparable collection of Paulette and Jack Lantz, as well as the collections at Scripps. The exhibition was accompanied by a handsome catalog, bearing the same title, produced by Hotei Publishing. Both the Chikanobu and the Genji catalogs can be ordered by visiting the Gallery’s Publications page.
Donors to the Japanese Print Collection at Scripps include the Aoki Endowment, Mrs. Frederick Bailey, Dr. and Mrs. William E. Ballard, Mrs. Simon Bolivar Buckner, Mrs. James W. Johnson, Stanley and Mary Wig Johnson ’35, Paulette and Jack Lantz, Mr. and Mrs. Fred Marer and Ms. Lilian Miller.
Our collection of works continues to grow steadily. Students now have access to a wide variety of works that extend back to the beginnings of photography in the early nineteenth century, through the twentieth century, and into the present day. Among the works on hand are those by Julia Margaret Cameron, Roger Fenton, Francis Frith, Eadweard Muybridge, Jack Delano, Edward Weston, Berenice Abbott, Nadar, Herman Leonard, Consuelo Kanaga, Anthony Friedkin, Carrie Mae Weems, John Outterbridge – the list of pieces continues to lengthen, most often due to the generous gifts of donors who see the tremendous benefit that access to fine works of art provides to students. Our latest addition to the collection is a stupendous collection of 21 works by the incomparable Ansel Adams, a gift of the Ansel Adams Museum through the Virginia Adams Charitable Trust.
An extraordinary gift of twenty-seven 19th and 20th century photographs was given to the college in 2008 by C. Jane Hurley Wilson ’64 and Michael G. Wilson who thoughtfully selected works that will enhance students’ understanding of the history of photography. Among these are works by Diane Arbus, Anne Brigman, Julia Margaret Cameron, Gregory Crewdson, Jack Delano, Roger Fenton, Francis Frith, Arthur Kales, David Octavius Hill and Roger Adamson, Russell Lee, Margrethe Mather, John Jabez Mayall, Emily Pitchford, and Edward Weston.
In addition to a core collection of works by Gordon Abbott and Edward Weston, visitors may view works by Mark Anthony, Henri Bechard, Julia Margaret Cameron, Rudolf Eikemeyer, A.E. Goddard, Jr., Consuelo Kanaga, Eadweard Muybridge, Nadar, and Doris Ulmann, donated in 2005 by Sharon and Michael Blasgen.
Also accessible are photographs by Eileen Cowin, Janet Delaney, Anthony Friedkin, Robbert Flick, George Hurrell, and Max Yavno, donated in 2006 by the Yarema Family Trust.
In 2007, Scripps College inaugurated the Samella Lewis Contemporary Art Collection in honor of Dr. Samella Lewis, who taught at Scripps from 1969 to 1984. An artist, art historian, curator, editor, and filmmaker, Dr. Lewis wrote the first textbook on African American art history, as well as monographs on leading artists Elizabeth Catlett and Richmond Barthé. The collection focuses on contemporary artists, with a special emphasis on art by women and African American artists. Featured are mixed-media works by Stas Orlovski and Susan Rankaitis; drawings by Elizabeth Turk; prints by John Biggers, Elizabeth Catlett, Sue Coe, Floyd Coleman, Samella Lewis, Nancy Macko, Adrian Piper, Faith Ringgold, Alison Saar; and photographs by William Anderson, Joyce Campbell, Anton Hardt, and Carrie Mae Weems. (For other photographs, see the Scripps College 19th and 20th Century Photographs collection.) These works and many others are available to our students, faculty, and to independent scholars.
To See the Scripps Collection
Browse the collection online through our Electronic Collection. Study Room hours are Monday-Thursday, 9-12am. To make a reservation in the Wilson Photograph and Print Study Room, call Colleen Salomon, data specialist, at (909) 607-8090.