Essays on Artists & Acquisitions (page 4)


February 21, 2018

Artists in the Collection: John T. Scott

A sort of jack-of-all-trades, the breadth of John T. Scott’s artistic mastery includes drawing, painting, printmaking, and sculpture; his subject matter ranges from self-portraiture to work with important political and social messages.

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January 8, 2018

Highlights of the Collection: Letter to the World

Photographer Barbara Morgan translates the brilliance of Martha Graham into a black-and-white image.

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October 2, 2017

Ilse Bing, the “Queen of Leica”

Ilse Bing’s photograph, Paris, Eiffel Tower with Branches, was taken in 1933 during the midst of her own self-discovery. Bing was born into an upper middle class Jewish family in Germany in 1899. Her family encouraged her academic education as well as her development in the arts and music. She enrolled in University of Frankfurt […]

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September 14, 2017

Ansel Adams, “Winnowing Grain”

“Winnowing Grain, Taos Pueblo, New Mexico,” reflects photographer Ansel Adams’ interest in ancient cultures.

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April 25, 2017

Highlights of the Collection: Berenice Abbott, Murray Hill Hotel

Murray Hill Hotel’s composition seems indebted to modernist photography of the period.

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March 1, 2017

Highlights of the Collection: Marilyn Levine, F.M. Case

Ceramicist Marilyn Levine and stand-up comedian George Carlin both imbued their art with a working class humor.

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February 28, 2017

Highlights of the Collection: Ansel Adams, Winter Sunrise

Ansel Adams woke before dawn for five days in order to capture the key moment of sunrise over the Sierra.

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October 17, 2016

Highlights of the Collection: Hurrell’s Marlene Dietrich

Hurrell, the master of the glamor shot, worked with Dietrich to create a portrait that incorporates contributions from both.

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October 9, 2016

Highlights of the Collection: Martinez, La Virgin de San Juan

Artist Alfredo Ramos Martinez sought a miracle for his daughter, and this work embodies that search.

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October 2, 2016

Highlights of the Collection: House of Shango

Samella Lewis’s work often grapples with issues of race in the U.S., and The House of Shango is no exception.

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